On the shuttle bus that was taking us from Port Authority to the Miley Cyrus concert, which I had affectionately dubbed the Bangerz Express, Jordan, Dombal and I were having a decidedly un-#Bangerz conversation about the lack of effective ways to record interviews on an iPhone. This is what writers do when we hang out with other writers, and we rarely even realize how lame we’re being until someone outside our bubble reveals that they’ve been listening. When we had exhausted the topic, a Miley fan sitting behind us popped up above our headrests and asked, “Are you guys, like, interviewers?” We had to admit that we were, yes. “Are you interviewing Miley?” Sadly, we were not. “We’re just going for fun,” Dombal said. Genuinely surprised, this Miley fan said, “Wow, it’s really cool that you guys would do something like that.” As in, like… have fun.
I want to believe her shock there is unwarranted. But unfortunately I think she might be onto something, because sometimes I worry that “fun” and “music writing” are like oil and water.
Dombal was lying, slightly. We were there to report on the show, but we’d sort of created the assignment ourselves, based off the fact that we just thought it would be fun to go to the Bangerz Tour. And, duh, it was. The next day, while we were putting together our report and trying to find usable footage of Miley Cyrus singing “FU” to a puppet that has been accurately described as “Puff the Magic Dragon’s deadbeat son,” everybody on Twitter was up in arms about some op-ed the New York Times Magazine had run decrying the rise of “poptimism”. Now, I agree with the general concept of poptimism, but that word never fails to make me want to barf, because 99+% of people who listen to pop music do not have to come up with some kind of factionalized team name in order to enjoy it—they just fucking like what they like. And maybe that was part of the reason why going to the Bangerz Tour was so refreshing and yes I will even say life-affirming: Nobody there was trying to debate, like, Ted Gioia’s Daily Beast article between sets. 99+% of the girls (yes, they were mostly girls) there would not know/care about what “rockism” meant, or whatever insider-baseball circle jerk the “music writing community” was engaged in that day. They were just there to freak out over the music they loved. And I looked around at them with their pigtail buns and their BOUT THAT LIFE crop tops and their “Miley Cyrus Bangerz Tour” inflatable bananas (I am very jealous I did not get to buy one of these before the merch kiosk sold out) and I remembered being like them and feeling like nobody took seriously the things I liked, all I wanted to do was write things for them. Not above them, or below them, but to them. I am so profoundly bored with writing for the 1%.
A little while after we posted our write-up, a few Miley fan accounts started tweeting it. One of them called it, “a thoughtful and in-depth review” of the tour; a girl whose Twitter name was Katniss Everdeen called it “one of the best reviews I’ve read in a while.” Maybe it was the lack of sleep of the #BangerzHangover or most likely the tragic death of Floyd Cyrus, but I was already feeling kind of emosh on Friday and seeing those tweets almost made me cry. For some reason, this immediately felt like the highest praise I’ve received in a long time. Everybody going on and on about this poptimism thing had only reminded me that there is a tremendous gulf between most of the people who listen to music and most of the people who write about it. I have started thinking lately that social media has made us all too connected, has made it too easy to find like-minded people at the expense of unique viewpoints, too easy to burrow into niche conversations and tune out the larger world around you. For music writers, it’s easy to write something that will rile up that 1%; it’s harder (but in my mind, a much more noble challenge) to write something that resonates outside the bubble. So I don’t know, maybe next time you’re wasting time and energy on some shirts-vs.-blouses/poptimists-vs.-rockists/us.-vs.-them debate, remember the girl sitting behind you on the Bangerz Express, the one for whom the whole idea of being “an interviewer” is refreshingly foreign and novel. She’s listening, if you’re willing to treat her like a potential reader.